November 2019 – Zelophehad's Daughters

Going to the Edge

Lynnette23 November 201923 November 20199 Comments

CW: Suicidality

To start with, it was my birthday, and even in good years I don’t like my birthday. It comes just after New Year’s, after everyone is burned out on holidays and get-togethers and eating too much rich food, and has moved on to New Year’s resolutions about healthier living. It’s only two weeks after the winter solstice, and the light is barely making any headway against the still-dominant darkness that somehow seeps into everything. And by that point I am usually tired of people and celebrations, and feel cranky and just want to hide. In bad years, I am also deeply upset about being alive, and the anniversary of my birth feels like a bleak thing to be noticing, let alone pretending to be happy about. Read More

In Race, Scripture

Do Scripture Stories ever depict heavenly people of color?

Ziff20 November 201914 Comments

Well sure they do! For example, here’s a picture from New Testament Stories that shows the pre-mortal existence and includes a black boy, and here’s another picture from Doctrine and Covenants Stories that shows people going to the Celestial Kingdom, and they’re not all white.

Other than those two, though, no.

In Uncategorized

Book Review: Crossings, by Melissa Wei-Tsing Inouye

Petra2 November 20191 Comment

Necessary disclaimer: I received a copy of this book from the publisher in exchange for an honest review.

There’s a grand tradition of Mormon (and ex-Mormon) women writing memoirs, from polygamy and temple tell-alls to coming-of-age stories to narratives of faithfully enduring the tragic to tales of everyday life and motherhood. Crossings: A Bald Asian American Latter-day Saint Woman Scholar’s Ventures Through Life, Death, Cancer & Motherhood is Melissa Wei-Tsing’s entry into the genre, and the title right away tells you that the author is not your average everyday Latter-day Saint woman. (Is there even such a thing? A topic for another essay.) Hers is a unique life, and, with a slightly more academic audience, Crossings could have easily been called Intersections, as the work touches on what it’s like to wear multiple identifies, as Inouye slips between fitting in and standing out and always works to ground herself in what matters to her.